Tuesday, September 22, 2015

From Argyle Street to 5th Avenue: Scots designer's Louis Vuitton windows are work of art

As a student in Glasgow, she discovered her talent for dressing windows while working at high street store Next.
Now, more than 20 years on, Faye McLeod is visual image director at one of the world’s most sought-after luxury brands – Louis Vuitton.
And her work is viewed as such art within the fashion industry that images of many of the most stunning window sets she has created are set to be published in a book.
Faye, 43, who joined Louis Vuitton in 2009, has been described as the Willy Wonkaof set design for the magical creations she has designed at the company’s 467 stores.
Louis Vuitton visual creative director Faye McLeod
The firm have Maison stores in many of the world’s most distinguished shopping streets including New Bond Street in London, Fifth Avenue in New York, and the Champs-Elysees in Paris.
But Faye says it doesn’t matter where in the world her work is going to be on display because the passion and attention to detail that goes into each window is always the same.
She said: “I hate walking past windows where what you see doesn’t make sense.
“For me, there has to be a meaning to a window. It can’t just be a decoration and a product – everything has got to have a story.
One of Faye's windows at the 57th street Louis Vuitton in New York.
“My job is to be a visual storyteller. Everyone appreciates a window. You want people to have an emotional reaction. You just maybe walk past but something stays in your head. You are creating pieces of art inside a window.
“If you were in the Tate, when you put art in there, you would have it looking perfect. You would have it well lit, clean, signaged. For me, that is how windows should be.
“They have got to be exactly like a piece of art in a museum. They are the billboard to your brand.”
Scot Faye, who also helps to create the company’s fashion show runway sets, is based at the their Paris headquarters and works with a team of more than 20 staff on her designs.
Faye loves her job working on the Louis Vuitton windows, especially at Christmas.
Stories that have inspired her eye-catching windows include bees that are kept on the roof of some Louis Vuitton stores and cases the company made for a circus in Paris.
She said: “We did a ‘Sweet as honey’ window. The idea of that came from a jar of honey and we designed this sputnik of flower icons and bees.
“This girl turned up in my office after a week of working at Vuitton with a jar of honey.
“I was like, ‘Where does it come from?’ It turns out Vuitton have hives on their roofs.
“I thought we could really work with this – it’s honey, bees, our icons are flowers and it all made sense to us.
“Our circus windows all came from a reference from the 100 Malles book, which was about Vuitton and the circus. Vuitton made these trunks for the circus in Paris so it could go travelling. Everything we do has a reference.”
Other famous windows created by Faye include large displays of gold dinosaur skeletons, including a T-rex with a handbag, and a collaboration with artist Yayoi Kusama which
featured a backdrop of red and white polka dots.
Faye first discovered her creative flair for dressing windows when working at Next in Glasgow.
She went on to work for Selfridges and Topshop.
A woman takes a photograph of Faye's window display in the Louis Vuitton shop on New Bond Street in Mayfair.
She said: “It’s an amazing job. I can’t believe I get paid to do it.”
Mary McGowne, founder of the Scottish Style Awards, said: “Faye McLeod is the undisputed No1 set designer working in fashion. No one comes close to creating the magic and voyeuristic fantasy of her shows.
“Such is the impact of Faye’s work that each season there is a palpable sense of anticipation of what to expect.”
Dr Sue Thomas, associate professor in fashion at Heriot-Watt University, said: “Her work, thinking and creativity are amazing – world-class. She is a genuine originator in the profession. Her team give windows stories and magic.”
Models walk the runway during the Louis Vuitton Menswear Fall/Winter 2014-2015 in Paris.
The book Louis Vuitton Windows, featuring 35 storefront displays created by Faye and colleague Ansel Thompson, will be published this autumn.

Friday, September 18, 2015

Director Xavier Dolan is face of Louis Vuitton men's fall campaign

Quebec's rising filmmaker Xavier Dolan has been chosen as the face of Louis Vuitton's fall men's campaign, reports Women's Wear Daily.
The ads, featuring a sophisticated Dolan in a suit and tie and collared jackets, will be released in October magazines and will also show off Ombré leather satchels.
Dolan says he has aspired to becoming the face of a brand since he was a child, according to Vuitton. He has become a regular spectator at fashion shows like Chanel and Lanvin.
The filmmaker has directed "I Killed My Mother" and "Laurence Anyways," and his 2014 film "Mommy" won the Jury Prize at the last edition of the Cannes Film Festival.

Thursday, September 17, 2015

LWW Presents a Limited Collection Handbag

BEIJING, Aug. 31, 2015 /PRNewswire/ -- A handbag with design fee of tens of millions of euros has been released. Mrs. Gucci and the creator of this art work made a decision at the last minute: only showing the front side of the handbag to the public and displaying it on the home page of LWW 
Consumers look for many things in a handbag, and are often stopped by price, or simplicity of designhowever are attracted to an abstract, or rare in material, or unique design. The difference of this distinctive priceless handbag is that the inspiration initially came from a seven year old child in China, whose environment-friendly originality channels Van Gogh's magnificent style, and the perfect interpretation of short strokes and beautiful colors that truly expresses the "beautiful world." It's a genuine out of print art work transcending the traditional sense of luxury since it is the only customized handbag worldwide.
The priceless handbag was painted with an innocent imagination, while it was crafted by the first lady Maria PIA Gucci of the Gucci family. It's a big event for the Gucci family after selling the Gucci brand. The front side of the handbag is embedded with 57 rare gems and shells including clam shells, agate, emerald, mother of pearl and turquoise jewelry as an ingenious decoration integrating with the gorgeous artistic conception of the handbag.
This handbag represents the recognition of China's original design for the first time from the European fashion industry.
Austrian princess Peja was full of praise when she first saw the handbag. The original painting on the handbag was hailed as an art work of inspiration with Van Gogh's impressionist painting style. The lifelike brushwork of the butterfly pattern and colorful overall painting perfectly highlight solid foundation of Made in Italy in leather dyeing technology. In addition, the leather material was handmade by the old master craftsmen in Florence, which is known for its leather craftsmanship.
The rare materials and unique cultural connotation and artistic realm bring the "beautiful world" to life. The artwork strikes a balance with the world by including the Chinese creation and  the friendly collaboration between both Western and Chinese cultures.
Mrs. Gucci and the creator of the art work made a decision at the last minute -- only one side of the handbag has been revealed. This is the top display on LWW home page. Although it can not be purchased it is a beautiful piece to enjoy.
The reverse side remains a mystery as it has yet to be seen.

Wednesday, September 16, 2015

As stocks fall, China's big spenders pull back

Pedestrians cross Russell Street in front of the Times Square shopping mall, operated by Wharf (Holdings) Ltd., in the Causeway Bay shopping district of Hong Kong, China.
Xaume Olleros | Bloomberg | Getty Images
Pedestrians cross Russell Street in front of the Times Square shopping mall, operated by Wharf (Holdings) Ltd., in the Causeway Bay shopping district of Hong Kong, China.
One of Hong Kong's busiest shopping streets winds past the Times Square center, under slick signs for brands like Mont Blanc, Cartier, Gucci and Burberry.

But inside the towering luxury mall, the hum of the crowds below fades into the quiet of rows of mostly empty boutiques.

A sales attendant greeted a few people outside a Chanel shop. "I'm sorry, you have to queue," she said, waving her hand toward a seemingly imaginary line of shoppers. But few people entered the store on what would usually be a bustling weekend shopping day.

Boom times for luxury in China are largely over, after the recent stock market rout and currency devaluation, compounded by an already slowing economy and a government crackdown on lavish gift-giving. The effect of those woes on Chinese shoppers — who make up as much as a third of global spending on high-end goods — has rattled both investors and global luxury brands.
The quieter scenes at Times Square and other luxury department stores in Hong Kong paint a stark contrast to the fevered spending of recent years, when young, upwardly mobile Chinese seemed to have insatiable appetites for Chanel handbags and Hermès scarves.
After growing by double digits in the last decade, spending on luxury goods in China contracted for the first time last year to about $18 billion, shrinking 1 percent, according to the consultancy Bain & Company.
On top of the market turmoil, moves by the Chinese government to devalue the renminbi and concerns over further rounds of devaluation cast a new pall on the luxury marketplace.
More from the New York Times:
Luxury shoppers in London seemed unfazed by market free fall
As growth slows, China pins hopes on consumer spending
As tourism record is set, New York City sees surge in Chinese visitors
"This is going to hit hard," said David Friedman, the president of Wealth-X, a luxury intelligence firm. Mr. Friedman, who is based in New York, added, "It's the straw that breaks the camel's back for luxury brands that looked at the Chinese consumer as a driver of their revenue growth."
"Is the Chinese consumer still incredibly important to luxury brands? The answer is absolutely yes. But is the Chinese consumer over the next several years going to be the same economic juggernaut of consumption for these brands? The answer is no."
These jitters stem from how disproportionately global luxury brands have leaned on China for growth. Greater China drives as much as 25 percent of sales at Burberry, and 20 percent of sales at Prada, according to estimates by Exane BNP Paribas. The Swatch Group, whose brands include Omega, Harry Winston and Balmain, derives as much as 35 percent of its sales in mainland China, Hong Kong and Macau.
Those percentages would be even higher if they took account of all the luxury goods that Chinese tourists snap up overseas, where items are often cheaper than in Beijing or Shanghai, where shoppers must pay import duties. According to Bain, nearly half of Chinese luxury spending occurs outside China.
A weaker renminbi would make it more expensive for Chinese consumers not just to buy foreign luxury products in China, but also to travel overseas to cities like New York or Milan to buy luxury goods. A shakier economy and market turmoil back home would damp travel, as well as demand.
"Things are becoming more expensive, people are traveling less, and market turmoil is causing people to retrench and think about their luxury spending," said Simeon Siegel, a senior equity analyst in specialty retailing and luxury for Nomura Securities. "So you walk down Fifth Avenue, and you see emptier stores."
Still, it is important to keep the effects of the market rout and devaluation in perspective, said Luca Solca, head of global luxury goods at Exane BNP Paribas. According to simulations run by Mr. Solca, a 5 percent devaluation of the renminbi would push sales down less than 1 percent at most global luxury brands he tracks, including Burberry, Hermès, Prada, Louis Vuitton and the Swatch Group.
Even a 20 percent devaluation of the renminbi would hardly make a dent of 5 percent in those companies' sales, according to Mr. Solca's calculations.
Read MoreRetailers are already gunning for your Christmas cash
"It is often the case that markets react harshly to major surprises, a sort of 'Shoot first, ask questions later' approach," Mr. Solca said. "This looks like financial turmoil, not turmoil in the real economy. If it continues to grow, though, it will at one point have an impact on the real world, too."
Zhou Ting, director of the Fortune Character Institute, a research firm based in Shanghai that publishes the annual China Luxury Report, said she expected Chinese luxury tourism to continue despite the market uncertainties and the renminbi's drop in value.
Chinese travelers are drawn overseas partly by a hunt for value, she explained. Because of high tariffs, a Furla luxury handbag her firm examined recently cost $310, or 1,980 renminbi, with the steepest discounts available in China, but it sells for just a third of that price at the Leonardo da Vinci airport in Rome.
"The new yuan depreciation is not nearly enough to deter the very strong urge of Chinese shoppers to buy luxury goods overseas," she said.
At the Tai Koo Li mall in central Beijing, a gleaming expanse of luxury retailers including Lanvin, Versace and Vera Wang, several shoppers shrugged off the recent currency moves.
Xu Zijin, 19, a sophomore at a university in California, said she normally bought luxury goods in the United States because "the price is always very high in China," and she would continue to do so.
For some brands, like Coach, which manufactures a majority of its handbags in China, a weaker renminbi could even be a positive, Oliver Chen, a retail analyst at the Cowen Group, said in a recent report. Gross margins at Coach, for instance, would benefit from lower input costs — especially lower wages for Chinese workers — if currency rates remained at their current level, Mr. Chen said.
Andrea Shaw Resnick, head of investor relations and corporate communications at Coach, said it was still too early to project the impact of the weaker renminbi on sales trends.
Still, "we've been managing through exchange rate fluctuations for many years," Mr. Resnick said. "Importantly, our sourcing of both finished goods and raw materials in the region provides some degree of natural hedge," he said. "Of course, we'll continue to monitor the situation closely."
Ultimately, the future of Chinese luxury spending — and who is able to attract more of it — hinges on longer-term shifts in global currencies, as well as economic growth back home.
The eurozone and Japan have been bolstered by an influx of Chinese tourists, thanks to the weakness of their currencies, which have each fallen almost 10 percent against the renminbi over the last 12 months — even after the recent devaluation.
The dollar, on the other hand, has strengthened against major currencies over the last year, and it is up about 4 percent against the renminbi from 12 months ago, despite the recent devaluation. The strong dollar is weighing on tourist spending in the United States; Macy's recently blamed dwindling tourism dollars for lackluster earnings in the second quarter.
"The Europeans, the Chinese tourists, the Brazilian tourists around the world, they're just not coming to America," Macy's chief executive, Terry J. Lundgren, told CNBC last week. "And the strength of the dollar is impacting that."
Read MoreIn rural China, shoppers go online - with a little help
Mika Tsuruta, 25, an employee at the Japanese handbag brand Samantha Vega, sat smoking by an enormous robot outside the Times Square mall. She usually works in Tokyo but was sent to the retailer's Hong Kong store to train the staff in customer service.
During her time in Hong Kong, she has noticed Chinese customers looking for a less expensive alternative to the big-name luxury brands, she said. Samantha Vega fits the bill — a handbag from the Japanese retailer sells for about 2,200 Hong Kong dollars (around $280), a fraction of the 25,000 Hong Kong dollars (nearly $3,225) a Chanel flap bag can fetch.
"They say they are looking for something good, something cheaper," she said.
Leo, an 18-year-old student from Jiangsu, in eastern China, about to start university in Hong Kong, walked around another lavish shopping center, the Landmark. He took photos through the store window of S.T. Dupont, gawking at the gold-embellished pens and lighters on display, and at ads featuring members of the British royal family.
Leo, who wished to be identified only by his English name, insisted that the point of his trip to the mall was not to shop. The state of the economy and the currency devaluation worried his family, he said.
"It means I need to spend more money on my studies," he said. "We don't want to buy too much."

Tuesday, September 15, 2015

Research and Markets: Handbags Market in India 2015-2019

The handbags market in India, in terms of revenue and volume, to grow at a CAGR of 19.2% and 15.1%, respectively, over the period 2014-2019.
The Handbags market in India can be segmented into four: totes, shoulder bags, purses and wallets, satchels and saddles. The purses and wallets was the largest segment in terms of both revenue and volume, accounting for 34.8% and 35.4% share of the market.
The report, the Handbags Market in India 2015-2019, has been prepared based on an in-depth market analysis with inputs from industry experts. It covers the landscape of the handbags market in India and its growth prospects in the coming years. The report includes a discussion of the key vendors operating in this market.
As of 2014, India had around 110 million social media users, and is poised to overtake the US in the near future. Many manufacturers and retailers use social networking sites to gain marketing and sales advantage over their rivals. Retailers come up with innovative ways to influence consumers' purchase decisions, such as social shopping and social commerce. Da Milano, one of the early adopters of social media marketing, created a Send Diwali Greetings app that was built to send greetings via facebook.
According to the report, urban consumers contribute to a large part of the sales of handbags in India as they are brand conscious and prone to impulse buying because they have high disposable income. As income rises, consumption patterns also shift in favor of organized retail formats that offer lifestyle and entertainment enhancements. These consumers also have access to many channels of advertising and communication, and often search multiple retail channels to make purchase decisions. Many of them have little time at their disposal and prefer shopping through the Internet.
Further, the report states that a significant challenge faced by vendors is the continued competition from the unorganized sector.
Key vendors
- Baggit
- Bagzone Lifestyles (Lavie)
- DA MILANO LEATHERS (Da Milano)
- Hidesign
- Holii Accessories
- Ladida
- Sumitsu Apparel (Lino Perros)
- Unico Retail (Peperone)
- VIP INDUSTRIES (CAPRESE)
Other prominent vendors
- ADMIS
- Alessia 74
- Anekaant Design
- Anges Bags
- Blue & Blues
- Bhamini Fashion
- Calonge Group
- Deeya International
- Giordano Fashions
- Home Heart India
- Intouch Leather House India (Esbeda)
- Kara Bags
- KMB Group (Covo)
- Kara Bags
- MANGO Bags
- Phive Rivers
- The House of Tara
- Veda Lifestyle
Luxury foreign handbag vendors in India
- Burberry
- Chanel
- Christian Dior
- OTB Group (Diesel)
- Ermenegildo Zegna
- Etro
- Gucci
- Hermes
- Hugo Bos
- Jimmy Choo
- Just Cavali
- LVMH
- Paul Smith
- Tod's
- Tumi
Key questions answered in this report
- What will the market size be in 2019 and what will the growth rate be?
- What are the key Market trends?
- What is driving this market?
- What are the challenges to market growth?
- Who are the key vendors in this market space?
- What are the market opportunities and threats faced by the key vendors?
- What are the strengths and weaknesses of the key vendors?

Sunday, September 13, 2015

Jessica Biel Shows Off Her Slim Post-Baby Body in a Sheer Blouse During Rare Outing: See the Style Photos!

PHOTOS: The hottest celeb post-baby bodies
Jessica Biel and her brother, Justin, attended the BARE Handbags fall 2015 launch party on Aug. 27.
Jessica Biel and her brother, Justin, attended the BARE Handbags fall 2015 launch party on Aug. 27.
Credit: Owen Kolasinski/BFA/Sipa USA
On the beauty front, the Devil and the Deep Blue Sea actress, who shares Silas with her husband of almost three years, Justin Timberlake, modeled a fresh face, including lightly blushed cheeks and a bubblegum-hued lip. A sleek topknot completed the look.
PHOTOS: Baby Bump Hall of Fame!
After posing for photos, an onlooker told Us Weekly that Biel was approached by multiple guests, eager to congratulate her on the arrival of baby Silas. Smiling, the Illusionist actress said, "Thank you! It's fun. We're having a good time." She couldn't help but also add, "He's cute."
Jessica Biel worked her trim post-baby body in chic separates outside the BARE Handbags launch on Aug. 27, in Santa Monica, Calif.
Jessica Biel worked her trim post-baby body in chic separates outside the BARE Handbags launch on Aug. 27, in Santa Monica, Calif.
Credit: JB Lacroix/GC Images
She had the support of some familiar faces, too. The brunette beauty arrived on the arm of her younger brother, Justin Biel, who was openly affectionate with his big sis at the event. A source said that she was also greeted by an old childhood friend, to whom Biel admitted that motherhood was "hard, but amazing."
PHOTOS: Celeb moms brag about kids on social media
Just as sweet, Biel ran into two of her fellow 7th Heaven alums, Beverley Mitchell and Andrew Keegan, at the party, making it a mini-reunion for the stars.

Friday, September 11, 2015

Paris Fashion Week: Louis Vuitton show sees Marc Jacobs quit on a high

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Final collection wasn’t subtle but it had a sophisticated power
Louis Vuitton's creative director Marc Jacobs is out. That was the news delivered backstage, following the American designer'spresentation of his spring/summer 2013 collection for the French fashion behemoth, one of the biggest shows on the fashion calendar.

Frankly, no-one was shocked. Intrigues have swirled for months concerning Jacobs' seat of power at Vuitton, namely that after sixteen years he was stepping down to focus on his eponymous brand, a brand that launched a beauty range earlier this year and is set for imminent IPO.

Although no official release was forthcoming, at the show Louis Vuitton Chief Executive Michael Burke confirmed that this was Jacob's final for Vuitton. The 10-year contracts of both Jacobs, 50, and his his long-time business partner Robert Duffy, 58, expiring at the end of this year, will not be renewed. They are leaving Louis Vuitton to focus on the expansion of the Marc Jacobs label.

Jacobs was the first fashion designer to create clothing under the Louis Vuitton brand. Installed as designer in 1997, following high-profile appointments of Alexander McQueen at Givenchy and John Galliano at Dior, Jacobs outlasted both. His 16 year tenure as creative director of Louis Vuitton is bettered only by Karl Lagerfeld's forty-eight years at Fendi, and thirty years at Chanel.

Born to a non-orthodox Jewish family in New York in 1963, Marc Jacobs had a passion for fashion and a lust to succeed from an early age. He launched his label in 1984 while still a student at Parsons School of Design when a range of sweaters he created were snapped up by New York boutique Charivari. Robert Duffy - who worked alongside him at Vuitton - was with him from the start, the two forming Jacobs Duffy Designs Inc. He showed his first collection in 1986.

Marc Jacobs' career has never been short of controversy. The furore over Kate Moss smoking a cigarette on the winter 2011 Vuitton catwalk pales in comparison to his 1992 “Grunge” collection for Perry Ellis. Inspired by the music of Nirvana, the collection launched a thousand imitations. It also got Jacobs fired.

Jacobs' tenure at Louis Vuitton has been smoother. It's also been paved with gold: for the past six consecutive years (2006-2012) Louis Vuitton has been named the world's most valuable luxury brand. It rakes in £5.8 billion per year.

It's also transformed Jacobs himself into a fashion megastar. A 2008 New Yorker profile relayed that market research at a Midwestern mall showed American shoppers recognised the Marc Jacobs name, although their perceptions of him were somewhat confused. Most thought he was an actor or a rock star.

The focus on Jacobs' own label, which continues to be part of Bernard Arnault's LVMH stable (the conglomerate who own Louis Vuitton), is canny. Despite its success, Vuitton maintains a position at the very highest echelon of luxury, with no lower-priced lines or cosmetics. Marc Jacobs, by contrast, has beauty and highly-successful fragrances, as well as his diffusion line Marc by Marc Jacobs. Earlier this year, the British designer Luella Bartley was tapped to direct those collections.

All indications are that Marc Jacobs is an empire complex. His stepping down from Louis Vuitton is an acknowledgement, perhaps, that his own name is a strong enough brand, both creatively and commercially, to demand his full attentions. LVMH must also agree.

Fashion fans, however, will doubtless miss his high-profile Louis Vuitton shows, the traditional finale to Paris Fashion Week.

Marc Jacobs' successor at Louis Vuitton is expected to be announced shortly. If intrigues are once again proven correct, it will be Nicolas Ghesquiere, the much-feted Frenchman who headed Balenciaga until October 2012.